Zoom F3 Prenosivi digitalni snimač

Zoom F3 Field Recorder — Clip-Free 32-Bit Float Capture in a Pocket-Sized Body

The Zoom F3 field recorder is a 2-input / 2-track portable recorder built for filmmakers who cannot afford a second take. With 32-bit float recording and dual A/D converters, it captures everything from a quiet interview to a thunderclap without gain adjustments. A small footprint lets it mount on a camera rig or slip into a sound bag, while the LCD shows real-time waveforms for confident monitoring. For creators who need reliable, clip-free XLR audio in unpredictable environments, this recorder stands out.

What Sets the F3 Apart in the Portable Recorder Category

Instead of relying on a single A/D converter, the F3 employs dual converters paired with ultra-low-noise preamps borrowed from Zoom's professional F-Series. Locking XLR/TRS combo jacks and a sturdy metal casing with rubber feet handle boom poles, camera cages, and hidden placements without accidental disconnects.

Technical Parameters That Matter On Set

Specs on the F3 directly support on-location reliability. The 32-bit float / up to 192 kHz WAV format removes gain-staging guesswork, while dual A/D converters preserve detail at both ends of the dynamic range.

• Inputs: 2 locking XLR/TRS combo jacks with +48V phantom power for shotgun, lavalier, or mixer feeds.
• Recording Format: 32-bit float WAV, up to 192 kHz — captures extreme dynamic range without clipping.
• With support for micro SDHC / micro SDXC up to 1 TB, you can record more than 180 hours of audio at the highest resolution.
• Battery Life: 8+ hours on 2 AA batteries with USB-C and AD-17 AC backup.
• LCD with real-time waveform display, 3.5 mm headphone jack, and line output for camera or streaming rig.

Who Should Buy the Zoom F3

Solo filmmakers, wedding videographers, and documentary recordists who need clean XLR audio in unpredictable environments will find this model invaluable. Run-and-gun shooters benefit from 32-bit float because they never stop a take to adjust levels, while sound designers gain a compact field unit that mounts on a boom or hides in a scene. Musicians capturing live rehearsals will appreciate the ultra-low-noise preamps that preserve every transient. Event videographers can route the line output directly to a camera while monitoring through the 3.5 mm headphone jack.